Tag: museum discourse

A newsy post: On coming to America and projects new and old.

Today has been my last Wednesday in Australia in the foreseeable future. On Sunday, I pack up my life and move to Baltimore, MD, to join Nancy Proctor as the Digital Content Manager at the Baltimore Museum of Art. I am on the cusp of some of the greatest change in my life, and I could not be more excited about the opportunity to explore a new city, a new country, a new museum, a new collection, and a new job. It is a moment I have dreamed of, and I cannot wait to get my teeth stuck into the challenges and adventures – particularly with the Museum itself going through some hugely interesting changes at present. A century old this year, it is undergoing a $28 million renovation, and is rethinking how visitors experience the BMA’s world-class collection, which makes this a brilliant time to leap across an ocean and join the Museum.

What makes the opportunity even better is its timing, which comes just as I’m putting the finishing touches on my dissertation – to be handed in within weeks. This means that my arrival in B’More will coincide with renewed opportunity for exploration, rather than introspection. I can move out of the all-consuming period of writing that has marked the last several months, and into a more exploratory, questioning, learning phase again.

This bodes well for blogging, since museum geek is, for me, a space for exactly those things. It has never been about complete ideas, but rather for examining tensions and unknowns. This is perhaps one reason writing became so hard when the focus of my work was on pulling ideas into a finished shape; into closing off avenues rather than opening them up…

It also bodes well for side projects, and I am so excited about a couple of the ones that I’ve had simmering away for several months. Probably the two most exciting are CODE | WORDS: Technology and theory in the museum – An experiment in online publishing and discourse and Museopunks, the podcast that Jeffrey Inscho and I create together.

If you haven’t yet heard of it, CODE | WORDS is an experimental discursive publishing project that gathers a diverse group of leading thinkers and practitioners to explore emerging issues concerning the nature of museums in light of the dramatic and ongoing impact of digital technologies on society. It’s something that Ed Rodley, Rob Stein and I have been working on for a little while (see Ed’s posts here and here), but with the publication of Michael Edson’s beautiful, provocative opening essay, it has finally become real. You should go and read what he has written. It is sinply wonderful.

What excites me most about CODE | WORDS is that we’re hoping that folk who might not normally blog or write about museums regularly, but who still think about them and want to try out or make public some thoughts on the subject, will contribute to the discussion – bringing new perspectives, new thinkers, new voices. If you think that might be you, feel free to drop me a line and I’m happy to help run through any ideas you have.

The other project that I continue to be excited about is Museopunks, which Jeff and I have been running for just over a year now. Every episode continues to help me learn something new, and from the feedback we’ve been getting, that goes for listeners too. If you haven’t checked into the show for a while, then I recommend you listen to the current episode, which is with Titus Bicknell on the complex and hugely important issue of net neutrality. This is a big one that could impact museums all over the world in the delivery of online content. While you’re thinking about the topic, check into the Museums and the Web discussion on the subject too.

In April, Museopunks was honoured to receive a Best of the Web Award in the category of Museum Professional at Museums and the Web. It meant a lot to us to receive this recognition, and it was great inspiration to continue to delve into the types of questions that have driven our work over this past year. But of course, Museopunks is nothing without the community that supports it, including guests on the show, listeners, and those who get in contact with ideas, thoughts, and feedback. So, thank you to all of you! It is a rare and wonderful gift to be able to have such discussions in a context that allows us to share them more broadly with the profession and the world.

All right! That’s enough of a round-up of the big things happening in my (professional) world. Next time I drop into the blog, it will probably be from my new home in the USA. Very cool. Then I get to start working out what it means to blog from inside an institution, rather than outside… and that, my friends, could be a whole new type of exploration…

Catch you on the flipside!

PS – Sydney, I’m going to be having a few farewell drinks on Saturday 24 May at the Arthouse Hotel, from 8pm. It’ll be my last unofficial #drinkingaboutmuseums in Australia for a while, so you should come and join me if you can.

Social media + the shifting pace of museum discourse

Ed Rodley has just started the coolest museum blogging project I’ve come across lately. He is asking the museum/blog community to imagine making a museum from scratch.

I thought it would be a fun thought experiment to build a new museum, one with no baggage, no legacy systems, no entrenched staff of Generation ___ who need to understand ____.  If you were going to build a museum in 2012, what would it look like? How would it be organized? Who would work there and what would their work lives be like? Want to play along?

The first post is only a few hours old, but already it is bringing to the surface some interesting questions. If somehow you read my blog and don’t already follow Ed’s, I suggest you head over there right now.

This concept of co-building or co-creating an idea-museum together in this way really brings home to me just how powerful social media can be for encouraging really engaged discourse that can reshape our sector in a very fast and dynamic way. Right now, after reading Ed’s post, all I want to do is think about my first steps in making a museum. Those questions and ideas are sure to stick with me for days at the least, and likely much longer. And in response, I am participating in Ed’s discussions, and additionally starting my own over here. And all it takes is a few more people doing the same, and the entire discourse of the field starts to shift.

In the pre-Internet days, new ideas must have taken so much longer to filter through and be engaged with. Print media and conferences would still have allowed new ideas to flourish, but the call-and-response must surely have taken more time. I am curious about what that meant for museums, then, and the way the sector was reshaped through conversation.

The theme for INTERCOM 2012 is #museumchallenges. The brief starts with this statement:

Museums have always operated in times of change, yet the challenges and pace of change over the last five years has been unprecedented. Globalisation, environmental issues and climate change, relationships with Indigenous and creator communities, diversity of audiences, different employee mindsets, new skill sets, new media and technologies and the global financial crisis, have placed increasing pressure on the ways museums are managed and led.

I wonder if it’s not so much that the pace of change has altered, but the pace at which that change is communicated internationally via blogs, Twitter, video-streaming etc. Is it simply that the discourse can now shift within a matter of days, whereas previously it would have taken far longer? Is social media then creating an illusion of unprecedented change, or is it in fact a contributor to that change? And do you think a new museum theorist could be truly impactful on the sector these days without participating in social media?

Social media has been implicated in political revolutions. To what extent do you think it is playing a role in museum revolutions?