“When people start targeting the telling of history, that becomes very dangerous for democracy.”
The above quote is from my GWU colleague Melani McAlister, speaking to the Washington Post about President Trump’s recent decision to fire all the members of the Advisory Committee on Historical Diplomatic Documentation––a committee of nine historicans who oversee the Foreign Relations of the United States (the FRUS) publication series to ensure that U.S. foreign policy decisions are accurately and appropriately documented.
Unfortunately, the telling of history is being targeted in lots of ways now. One of the defining features of the early months of this adminstration is how much energy is being put into constraining the institutions that support history, culture, and education. On May 20, Doug Bergum, Secretary of the Interior released a directive that all properties within the Department of the Interior’s jurisdiction, including parks, monuments, and museums, must identify whether they “contain images, descriptions, depictions, messages, narratives or other information (content) that inappropriately disparages Americans past or living (including persons living in colonial times).” The public is also be encouraged to report “any signs or other information that are negative about either past or living Americans or that fail to emphasize the beauty, grandeur, and abundance of landscapes and other natural features.” Truth-telling is no longer the goal.
In another dangerous moment for democracy, the Texas 5th Circuit ruled on May 23 that public library patrons have no right to receive information under the First Amendment. Meanwhile, new social studies standards in Oklahoma would introduce students to disproven theories about “discrepancies” in the 2020 presidential election. The case is currently before the district court, although it’s not looking good for those challenging the new standards.
Over in Australia, there has been controversy around the Queensland Literary Awards after a $15,000 fellowship was rescinded from Indigenous writer K A Ren Wyld over social media comments about the conflict in Gaza. The decision was made by Queensland Minister for Education and the Arts John-Paul Langbroek, who said the government had “taken the decision that this award should not be presented at the State Library.” Several of the panel judges for the award resigned after the decision and a group of First Nations storytellers wrote a powerful open letter in solidarity with Ren Wyld. Wyld’s manuscript documents seven generations of stolen First Nations children in response to the Bringing Them Home report. As the First Nations storytellers write, “There is a great irony to this accusation being deployed against a Stolen Generations descendant as part of an attempt to strip them of resources to tell the true history of the colony’s violence against Aboriginal and Torres Strait Islander peoples.”
Despite the pressure to conform to narrow versions of history, historians and others are using their power and expertise to challenge the Trump administration. This week, for instance, Professor Martha S Jones, J.D., PhD and Professor Kate Masur, PhD filed a brief against the birthright citizenship executive order to provide historical perspective in the birthright citizenship case and show how free Black American activists fought for birthright citizenship. Another history that is just about to be rewritten to tell a more complete story is that of the 15 daguerreotypes of enslaved people that Harvard University agreed to relinquish after settling with Tamara Lanier, a descendent of two of the people in the images, who sued the school in 2019. As Lanier told Hyperallergic, “The time is always right to do the right thing.” The photographs will be going to the International African American museum in South Carolina.
If you’re following the actions affecting the Institute of Museums and Library Services (IMLS), Kelly Jensen has written up a thorough timeline. Jensen is hoping to build a more collaborative timeline of events and is seeking contributions from those including affected institutions. Add to her publicly-editable document: A Timeline of IMLS Cuts, Lawsuits, Impact to Libraries, and More.
The Council of Past Presidents of the National Council on Public History recently undertook a special fundraising effort to cover the costs of NCPH memberships for colleagues who are suffering financial insecurity due to recent actions of the federal government, raising enough for 100 memberships. You can self-report your need using this form.
Are you a librarian attending the Philadelphia for ALA Annual? Arrive a day early and learn to Organize Your Library! Join other library workers to develop skills, build solidarity, and learn more about organizing and collective bargaining.
Finally, my heart cracked last week as news broke about the fatal shooting of two Israeli Embassy staffers outside the Capital Jewish Museum in Washington, D.C.––an institution where many of my students work and intern and where several staff are alumni of the GW Museum Studies program. The tragic event occurred one day after it was announced that the museum had received a $30,000 grant to pay for additional security in light of a growing climate of antisemitism and in recognition that the most recently opened exhibition, LGBTJews in the Federal City, might bring additional attention to the museum. That exhibition is co-curated (with Sarah Leavitt) by my brilliant former student, Jonathan Edelman and “is the first of its kind to explore DC history, Jewish history, and LGBTQ+ history together, drawing from the Museum’s robust LGBTQ+ archive.” The museum has just reopened, so if you’re in the DC area, now might be a nice moment to visit.
A LAST MINUTE ADDITION… According to a post on TruthSocial, Trump has fired Kim Sajet, director of Smithsonian’s National Portrait Gallery, for being “a strong supporter of DEI.” Sajet was named director in 2013. As noted in the Washington Post, “It is unclear if the president has authority to dismiss Sajet. The Smithsonian’s programming is not under the purview of the executive branch, and personnel decisions for senior-level Smithsonian museum positions are made by Smithsonian Secretary Lonnie G. Bunch III.” More to come.
What’s Happening Now? is my attempt to make sense of some of the political actions affecting cultural institutions right now. If you’ve got resources to share or something to add, please reach out or leave a note in the comments. I look forward to connecting with you.